Category Archives: Game On!

As a gamer who is a fan of stories and storytelling, I tend to be drawn towards games that allow and encourage the telling of stories. This is why I became a fan of roleplaying games; they are the single best framework for telling stories as a game. Of all the RPGs I’ve tried (and I have tried many), my favourite is, without question, Changeling: the Dreaming. It emphasises creativity, and is set in a world which includes a vast realm made entirely of dreams. This allows you to play in any setting you can imagine. The important thing right now is that the characters in this story are faeries inhabiting human bodies. Normally, players assume that the human body in which a fae spirit is housed matches the demographics of the fae spirit itself. But as I find myself thinking more about Changeling as a result of the recent 20th Anniversary Kickstarter, I realise that nowhere in the rules does it say that this is necessarily the case. In fact, there are places where it hints that it isn’t always the case; specifically, it mentions that the Eshu, an African kith, are not always born into host bodies of African descent. Thus, I begin to wonder if there are other ways in which this disconnect can be expanded. And my first thought is: what if the human body is of a different gender than the fae spirit born into it? And thus I find myself contemplating the possibility of Transgender Changeling.

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I was introduced to GURPS (the Generic Universal Role Playing System, published by Steve Jackson Games) in 1991. I admired the flexibility and adaptability of the system, as well as its realism and the fact that it encouraged rounded, dynamic characters. It didn’t limit possible character traits to attributes and skills, but had mental, emotional, and social advantages and disadvantages. This allowed players to emulate a personality more fully than in games like Dungeons and Dragons. But there was one disadvantage that I have never given a character: Social Stigma. It provides an in-game mechanic for simulating a character that belongs to a group that is deemed by his or her society to be inferior. In looking back on it, I realise that I didn’t fully grasp the possibilities of this disadvantage. Now, I have learned much, and I would love the opportunity to play a character with this disadvantage.

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When people sit down to play games, what exactly are they doing? I spoke of this a bit a couple of weeks ago. Depending on the nature of the game, we are doing things that can be just as difficult as a so-called ‘job.’ Games come in so many different forms; games of luck, of physical prowess, of strategy, of skill (broken into many different types of skill; spatial reasoning, manual dexterity, mathematical ability, and so forth), games of knowledge or memory or bluffing or deduction… It may be obvious by now that I am most strongly drawn towards games that have a series element of telling stories.

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Why do we play games? Sure, we all have our reasons. For some, it’s about spending time with people they love. Other people see it as an exercise in creativity, or practising various mental skills (or, let’s be honest, physical skills; not all games are played around a table or in front of a television set).

For me, there are many reasons: some games are enjoyable because they indulge a particular love I have (dare I say, a fetish?), such as the original Balderdash, which caters to my lexophilia. Other games force me to think, and I love to give my brain some exercise on occasion; Dominant Species and Clans are two excellent examples of these types of games. Some games are fun for me because they facilitate social interaction that I otherwise find difficult to attain (The Resistance: Avalon falls in this category). Others appeal to my love of a certain fandom, such as Star Trek: Road Trip or Firefly: The Game). As a Storyteller, I also tend to be drawn to games that facilitate the telling of stories (thus my love of tabletop roleplaying games like Changeling: the Dreaming, as well as Fiasco and Gloom)

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Robin Laws, an experienced author of roleplaying books, has written an invaluable tool for GMs. It’s invaluable for all gamers, although it was targeted at the GM. In it, he includes a great deal of advice on how to make your games as enjoyable as possible for all participants. It’s not the stuff you’d normally find in the ‘For the Game Master’ section of the core rulebook or supplements like the Dungeons Master’s Guide. It’s more fundamental information, such as campaign design (are you running a dungeon crawl, a set-piece story, a branching story, an episodic story, etc?), suggestions on how to be spontaneous (have a list of appropriate names for when you need to ad-lib an NPC, have a box of index cards with stats for random NPCs that the players may encounter, etc), how to deal with different player types (what emotional kick is each player looking to get from the game, and how can you deliver it to them?).

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